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.... Murano glass


  
Murano glass jewellery is a beautiful, complex and quite expensive product and many of the cheaper pieces of “Murano” jewellery sold have not been produced in Murano, or even in Italy, but they still use the same basic principles. The range of true Murano glass items produced is enormous, ranging from tiny glass beads to magnificence chandeliers.

Venetian glass is a type of glass object made in Venice, Italy, primarily on the island of Murano. It is world-renowned for being colourful, elaborate, and skilfully made.

Byzantine craftsmen played a role in the development of Venetian glass, an art form for which the city is still well-known. When Constantinople was sacked by the Fourth Crusade in 1204, some fleeing artisans came to Venice. This happened again when the Ottomans took Constantinople in 1453 , supplying Venice with still more glassworkers. Murano’s reputation as a centre for glassmaking was born when the Venetian Republic, fearing fire and destruction to the city’s mostly wood buildings, ordered the destruction of all the foundries within the city in 1291. The Republic then authorized and encouraged construction of foundries outside the city, and by the late 13th century the glassmaking industry was centred in Murano. Murano's glassmakers were soon the island’s most prominent citizens. By the 14th century, glass makers were allowed to wear swords, enjoyed immunity from prosecution by the Venetian state and found their daughters married into Venice’s most affluent families. Of course there was a catch: Glassmakers weren't allowed to leave the Republic. However, many craftsmen took this risk and set up glass furnaces in surrounding cities and as far a field as England and the Netherlands, so despite efforts to keep Venetian glassmaking techniques within Venice and the island of Murano, they became known elsewhere.

Murano’s glassmakers held a monopoly on quality glassmaking for centuries, developing or refining many technologies including crystalline glass, enamelled glass (smalto), glass with threads of gold (aventurine), multicoloured glass (millefiori), milk glass (lattimo), and imitation gemstones made of glass. Today, the artisans of Murano are still employing these century-old techniques, crafting everything from contemporary art glass and glass jewellery to Murano glass chandeliers and wine stoppers.

Murano is home to the Museo Vetrario or Glass Museum in the Palazzo Giustinian, which holds displays on the history of glassmaking as well as glass samples ranging from Egyptian times through the present day.

The process of making Murano glass is quite complex. Most Murano glass art is made using the lampworking technique. The glass is made from silica which becomes liquid at high temperatures. As the glass passes from a liquid to a solid state, there is an interval when the glass is soft before it hardens completely. This is when the glass-master can shape the material. Other raw materials, called flux or melting agents, soften at lower temperatures. The more sodium oxide present in the glass, the slower it solidifies. This is important for hand-working because it allows the glassmaker more time to shape the material. The various raw materials that an artisan might add to a glass mixture are sodium (to make the glass surface opaque), nitrate and arsenic (to eliminate bubbles) and colouring or opacifying substances.

Colours, techniques and materials vary depending upon the look a glassmaker is trying to achieve. Aquamarine is created through the use of copper and cobalt compounds whereas ruby red uses a gold solution as a colouring agent. Filigree, incalmo, enamel painted, engraving, gold engraving, lattimo, ribbed glass and submersion are just a few of the other techniques a glassmaker can employ.

Murano artisans use specialized tools in the making of their glass. Some of these tools include borselle (tongs or pliers used to hand-form the red-hot glass), canna da soffio (blowing pipe), pontello (an iron rod to which the craftsman attaches the glass after blowing in order to add final touches), scagno (the glass-master's work bench) and tagianti (large glass-cutting clippers).

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